Mightier than the Sword

Harriet Beecher Stowe's birthday was three days ago, and David Reynolds marked the occasion with the release of a new book that puts her immortal book into perspective,

The “Battle for America” of the subtitle, is the conflict between the progressive, anti-slavery message of Stowe’s novel and the reactionary, conservative elements who resisted the abolition of slavery. While the Civil War was the most bloody and costly front in that battle, Reynolds demonstrates how the ideological debate raged on long after the war ended, with Uncle Tom’s Cabin never far from the socio-cultural intersection of values. Just as it inspired sympathetic books in the same vein, it also precipitated a flood of pro-slavery novels that romanticized the Old South. The reactionary anti-Tom books, as Reynolds states, might have ended up in the dustbin of history had it not been for Thomas Dixon’s venomous works catching the fancy of filmmaker D.W. Griffith. Griffith’s Birth of a Nation (1915), a blockbuster of the new medium of cinema, reignited the battle. Uncle Tom’s Cabin had its share of film versions – nine silent versions between 1903 and 1927 — but the old warhorse could not compete with Griffith’s controversial masterpiece, nor the paranoia it inflamed in whites about black male sexuality.

from CalLit Review

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The Triangle Shirtwaist Factory Fire

Welcome to this month's reading group selection. David Von Drehle mentions The Melting Pot , a play by Israel Zangwill, that premiered on Broadway in 1908. At that time theater was accessible to a broad section of the public, not the exclusive domain it has become over the decades. Zangwill carried a hopeful message that America was a place where old hatreds and prejudices were pointless, and that in this new country immigrants would find a more open society. I suppose the reference was more an ironic one for Von Drehle, as he notes the racial and ethnic hatreds were on display everywhere, and at best Zangwill's play helped persons forget for a moment how deep these divides ran. Nevertheless, "the melting pot" made its way into the American lexicon, even if New York could best be describing as a boiling cauldron in the early twentieth century. Triangle: The Fire That Changed America takes a broad view of events that led up the notorious fire, noting the gro

Dylan in America

Whoever it was in 1969 who named the very first Bob Dylan bootleg album “Great White Wonder” may have had a mischievous streak. There are any number of ways you can interpret the title — most boringly, the cover was blank, like the Beatles’ “White Album” — but I like to see a sly allusion to “Moby-Dick.” In the seven years since the release of his first commercial record, Dylan had become the white whale of 20th-century popular song, a wild, unconquerable and often baffling force of musical nature who drove fans and critics Ahab-mad in their efforts to spear him, lash him to the hull and render him merely comprehensible. --- Bruce Handy, NYTimes ____________________________________________ I figured we can start fresh with Bob Dylan. Couldn't resist this photo of him striking a Woody Guthrie pose. Looks like only yesterday. Here is a link to the comments building up to this reading group.

Team of Rivals Reading Group

''Team of Rivals" is also an America ''coming-of-age" saga. Lincoln, Seward, Chase et al. are sketched as being part of a ''restless generation," born when Founding Fathers occupied the White House and the Louisiana Purchase netted nearly 530 million new acres to be explored. The Western Expansion motto of this burgeoning generation, in fact, was cleverly captured in two lines of Stephen Vincent Benet's verse: ''The stream uncrossed, the promise still untried / The metal sleeping in the mountainside." None of the protagonists in ''Team of Rivals" hailed from the Deep South or Great Plains. _______________________________ From a review by Douglas Brinkley, 2005

Dispatches from Vilnius

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