It's an interesting year in cinema with so many biographies and true stories being brought to the big screen. This past summer I was very much impressed by how Christopher Nolan handled Oppenheimer , and now find myself debating whether to try to sit through another 3+ hour epic this holiday season, given my tight bladder. Reviews of Napoleon haven't been very good, much to Sir Ridley Scott's chagrin, but the same critics have been very favorable of Killers of the Flower Moon . There's also Maestro for those who love Bradley Cooper, I mean Leonard Bernstein. Part of the problem in Scott's epic is that he tries to span the entire life of Napoleon rather than focus on a particular aspect of it. We all know who Napoleon is so it's not like Sir Ridley had to give us a refresher course. Owen Glieberman notes that what makes a "biopic" good is when it explores the inner dynamic of its central character and uncovers something we weren't aware of b