Take me back to the days of the Wild West

The NRA is flying high these days, fresh off their "victory" in defeating a Senate bill that called for tighter background checks and gun registration. Apparently, gun rights has become a civil rights issue in their minds, feeling that "law-abiding gun owners" are under attack, waving around the second amendment as their "red badge of courage."

If you thought Wayne La Pierre wasn't bad enough, meet their president, a tough talking SOB who takes the NRA to the outer limits of the Far Right with his incendiary comments. I suppose in some way this is good, because it helps to illustrate what a bunch of lunatics the NRA has become.

Their recent summit included Senate bad boy, Ted Cruz, and that famous pitbull with lipstick, Sarah Palin. Rick Perry was there too, pitching in his two cents at the event dubbed a "leadership forum." No one likes gun violence, Perry said, while trying to lure gun manufacturers to come to Texas to avoid all those pesky regulations. All part of his great business plan to take Texas back to the days of the Wild West.

You just have to wonder when Americans are going to say enough is enough and vote these buffoons out of his, severely limiting the clout the NRA carries in state legislatures and Capitol Hill.

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The Triangle Shirtwaist Factory Fire

Welcome to this month's reading group selection. David Von Drehle mentions The Melting Pot , a play by Israel Zangwill, that premiered on Broadway in 1908. At that time theater was accessible to a broad section of the public, not the exclusive domain it has become over the decades. Zangwill carried a hopeful message that America was a place where old hatreds and prejudices were pointless, and that in this new country immigrants would find a more open society. I suppose the reference was more an ironic one for Von Drehle, as he notes the racial and ethnic hatreds were on display everywhere, and at best Zangwill's play helped persons forget for a moment how deep these divides ran. Nevertheless, "the melting pot" made its way into the American lexicon, even if New York could best be describing as a boiling cauldron in the early twentieth century. Triangle: The Fire That Changed America takes a broad view of events that led up the notorious fire, noting the gro

Dylan in America

Whoever it was in 1969 who named the very first Bob Dylan bootleg album “Great White Wonder” may have had a mischievous streak. There are any number of ways you can interpret the title — most boringly, the cover was blank, like the Beatles’ “White Album” — but I like to see a sly allusion to “Moby-Dick.” In the seven years since the release of his first commercial record, Dylan had become the white whale of 20th-century popular song, a wild, unconquerable and often baffling force of musical nature who drove fans and critics Ahab-mad in their efforts to spear him, lash him to the hull and render him merely comprehensible. --- Bruce Handy, NYTimes ____________________________________________ I figured we can start fresh with Bob Dylan. Couldn't resist this photo of him striking a Woody Guthrie pose. Looks like only yesterday. Here is a link to the comments building up to this reading group.

Team of Rivals Reading Group

''Team of Rivals" is also an America ''coming-of-age" saga. Lincoln, Seward, Chase et al. are sketched as being part of a ''restless generation," born when Founding Fathers occupied the White House and the Louisiana Purchase netted nearly 530 million new acres to be explored. The Western Expansion motto of this burgeoning generation, in fact, was cleverly captured in two lines of Stephen Vincent Benet's verse: ''The stream uncrossed, the promise still untried / The metal sleeping in the mountainside." None of the protagonists in ''Team of Rivals" hailed from the Deep South or Great Plains. _______________________________ From a review by Douglas Brinkley, 2005

Dispatches from Vilnius

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