Skip to main content

Burke's works


This new book on Edmund Burke by British MP Jesse Norman looks very interesting. The author, who is currently the number two man in the British conservative party, attempts to not only place Burke within the context of his times, but in the second half of the book illustrate how Burke's views have been co-opted for better and for worse, notably by American Republicans, who have drifted far from the intent, much less the meaning of Burke's works.

Burke was probably best known during his time for his repudiation of the French Revolution, which he compiled in his Reflections in 1790, before things turned sour.  Others, like Thomas Paine, extolled the Revolution, hoping that it would lead to a more egalitarian society.

For Burke, it didn't matter so much who ran government, but how it was run.  He was a conservative in the old sense believing in a free and open society, but one in which property rights were paramount.  He found the kind of "egalitarianism" being bandied about in France as nothing more than government usurpation, which is pretty much how things turned out.  Burke was against slavery and autocracies, believing that the best society was a stable society, grounded in British common law.

Norman considers himself the standard bearer of Burkian conservatism, and has at times schooled David Cameron on these basic principles, much to Cameron's chagrin. The interesting thing to me is that British conservatism hasn't markedly changed over the last two centuries, whereas American conservatism has morphed into a kind of theocratic thinking, which Burke would have very much abhorred.

Yet, you still see Burke's name bandied about in American conservative circles, particularly among neo-conservatives, which according to Norman, miss the mark as well.

Comments

Popular posts from this blog

The Triangle Shirtwaist Factory Fire

  Welcome to this month's reading group selection.  David Von Drehle mentions The Melting Pot , a play by Israel Zangwill, that premiered on Broadway in 1908.  At that time theater was accessible to a broad section of the public, not the exclusive domain it has become over the decades.  Zangwill carried a hopeful message that America was a place where old hatreds and prejudices were pointless, and that in this new country immigrants would find a more open society.  I suppose the reference was more an ironic one for Von Drehle, as he notes the racial and ethnic hatreds were on display everywhere, and at best Zangwill's play helped persons forget for a moment how deep these divides ran.  Nevertheless, "the melting pot" made its way into the American lexicon, even if New York could best be describing as a boiling cauldron in the early twentieth century. Triangle: The Fire That Changed America takes a broad view of events that led up the notorious fire, noting the gro

Dylan in America

Whoever it was in 1969 who named the very first Bob Dylan bootleg album “Great White Wonder” may have had a mischievous streak. There are any number of ways you can interpret the title — most boringly, the cover was blank, like the Beatles’ “White Album” — but I like to see a sly allusion to “Moby-Dick.” In the seven years since the release of his first commercial record, Dylan had become the white whale of 20th-century popular song, a wild, unconquerable and often baffling force of musical nature who drove fans and critics Ahab-mad in their efforts to spear him, lash him to the hull and render him merely comprehensible. --- Bruce Handy, NYTimes ____________________________________________ I figured we can start fresh with Bob Dylan.  Couldn't resist this photo of him striking a Woody Guthrie pose.  Looks like only yesterday.  Here is a link to the comments building up to this reading group.

Team of Rivals Reading Group

''Team of Rivals" is also an America ''coming-of-age" saga. Lincoln, Seward, Chase et al. are sketched as being part of a ''restless generation," born when Founding Fathers occupied the White House and the Louisiana Purchase netted nearly 530 million new acres to be explored. The Western Expansion motto of this burgeoning generation, in fact, was cleverly captured in two lines of Stephen Vincent Benet's verse: ''The stream uncrossed, the promise still untried / The metal sleeping in the mountainside." None of the protagonists in ''Team of Rivals" hailed from the Deep South or Great Plains. _______________________________ From a review by Douglas Brinkley, 2005