In the Shadow of No Towers

I think we need to put 9-11 behind us. Not that we forget those who died in that horrific event, but that we quit looking at ourselves as martyrs in some abstruse "War on Terror" that has stretched into its 12th year, with our military activities in Afghanistan yet to be drawn to a close.

If these 12 years have taught us anything, it is that the only thing we have to fear is fear itself. It is time we quit creating Boogeymen, and deal with pressing foreign policy issues in a diplomatic, not military, way. This is a good time to completely rethink our FP approach, getting away from the Cold War paradigm that has dominated American politics ever since WWII when the Soviet Union rose up to challenge our global hegemony.

We've had many opportunities to step away from the brink of war, but yet we continue to fight proxy wars in the name of "peace." Carter probably came the closest to rewriting American foreign policy, but then found himself embroiled in Afghanistan and Iran, fighting the same old proxy wars with the Soviet Union. It seems to be very hard to escape this cycle, but one hopes that with a new resolution on the Security Council table, maybe, just maybe, we can begin to put this "War on Terror" behind us and move on with life.

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Dylan in America

Whoever it was in 1969 who named the very first Bob Dylan bootleg album “Great White Wonder” may have had a mischievous streak. There are any number of ways you can interpret the title — most boringly, the cover was blank, like the Beatles’ “White Album” — but I like to see a sly allusion to “Moby-Dick.” In the seven years since the release of his first commercial record, Dylan had become the white whale of 20th-century popular song, a wild, unconquerable and often baffling force of musical nature who drove fans and critics Ahab-mad in their efforts to spear him, lash him to the hull and render him merely comprehensible. --- Bruce Handy, NYTimes ____________________________________________ I figured we can start fresh with Bob Dylan. Couldn't resist this photo of him striking a Woody Guthrie pose. Looks like only yesterday. Here is a link to the comments building up to this reading group.

The Triangle Shirtwaist Factory Fire

Welcome to this month's reading group selection. David Von Drehle mentions The Melting Pot , a play by Israel Zangwill, that premiered on Broadway in 1908. At that time theater was accessible to a broad section of the public, not the exclusive domain it has become over the decades. Zangwill carried a hopeful message that America was a place where old hatreds and prejudices were pointless, and that in this new country immigrants would find a more open society. I suppose the reference was more an ironic one for Von Drehle, as he notes the racial and ethnic hatreds were on display everywhere, and at best Zangwill's play helped persons forget for a moment how deep these divides ran. Nevertheless, "the melting pot" made its way into the American lexicon, even if New York could best be describing as a boiling cauldron in the early twentieth century. Triangle: The Fire That Changed America takes a broad view of events that led up the notorious fire, noting the gro

Team of Rivals Reading Group

''Team of Rivals" is also an America ''coming-of-age" saga. Lincoln, Seward, Chase et al. are sketched as being part of a ''restless generation," born when Founding Fathers occupied the White House and the Louisiana Purchase netted nearly 530 million new acres to be explored. The Western Expansion motto of this burgeoning generation, in fact, was cleverly captured in two lines of Stephen Vincent Benet's verse: ''The stream uncrossed, the promise still untried / The metal sleeping in the mountainside." None of the protagonists in ''Team of Rivals" hailed from the Deep South or Great Plains. _______________________________ From a review by Douglas Brinkley, 2005

Dispatches from Vilnius

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