Skip to main content

Updike



I bought the Rabbit Angstrom a few years back but still haven't gotten around to reading it.  I have mixed feelings about Updike after reading In the Beauty of the Lilies and Gertrude and Claudius.  I liked his prequel to Hamlet better.  Rich in language and story telling, it was what enticed me to buy Rabbit omnibus, which he is best known for.

Adam Begley is the latest to tackle Updike.  There are few writers who have left such an indelible print on American literature, but reviews have been mixed.  Harold Bloom called him "a minor writer with a major style," and other critics have bemoaned Updike's obsession with sex and its consequences.   Begley apparently steers away from literary criticism and focuses on the writer himself, giving us a lavish biography replete with many anecdotes like a dinner conversation with Philip Roth that went sour over the Vietnam War.

Updike tended to shun politics but found himself a tool of the US State department, which sent him off on a 6-week tour of the USSR to promote American culture in 1964.  Johnson also had a soft spot for Updike, inviting him to the White House in 1965.  Mary Updike dragged him along on a March on Boston, where Martin Luther King, Jr. made a speech later that year.  Like it or not, Updike soon found himself part of the events swirling around him, and became a target for critics who felt his books didn't reflect these events in any meaningful way.

According to Begley, Updike was most at home when he was writing about himself.  His books appeared to be more about technique than substance, which I guess was what infuriated critics who were expecting something more from American literature.  But, in an odd way Updike probably best summed up the contemporary American experience with his narcissistic characters who often seemed oblivious to the world around them until it was too late.

That isn't to say that Updike didn't delve into politics.  Christopher Hitchens offers this review of Terrorist (2006), with references back to the earlier The Coup (1978).  Hitch was none too pleased with the later effort, hurling the book across the room at one point.  He was disgusted with the numerous cliches and wrong notes that in his mind made this book a real clunker.  It seems that Updike never escaped his Puritan roots, struggling desperately to make sense of an alien culture.

However, Updike has a rich bibliography that amply overcomes such misguided efforts.  He ended with a return to Eastwick in a much better praised novel that seemed the appropriate note on which to sign off.


Comments

Popular posts from this blog

Dylan in America

Whoever it was in 1969 who named the very first Bob Dylan bootleg album “Great White Wonder” may have had a mischievous streak. There are any number of ways you can interpret the title — most boringly, the cover was blank, like the Beatles’ “White Album” — but I like to see a sly allusion to “Moby-Dick.” In the seven years since the release of his first commercial record, Dylan had become the white whale of 20th-century popular song, a wild, unconquerable and often baffling force of musical nature who drove fans and critics Ahab-mad in their efforts to spear him, lash him to the hull and render him merely comprehensible. --- Bruce Handy, NYTimes ____________________________________________ I figured we can start fresh with Bob Dylan.  Couldn't resist this photo of him striking a Woody Guthrie pose.  Looks like only yesterday.  Here is a link to the comments building up to this reading group.

The Triangle Shirtwaist Factory Fire

  Welcome to this month's reading group selection.  David Von Drehle mentions The Melting Pot , a play by Israel Zangwill, that premiered on Broadway in 1908.  At that time theater was accessible to a broad section of the public, not the exclusive domain it has become over the decades.  Zangwill carried a hopeful message that America was a place where old hatreds and prejudices were pointless, and that in this new country immigrants would find a more open society.  I suppose the reference was more an ironic one for Von Drehle, as he notes the racial and ethnic hatreds were on display everywhere, and at best Zangwill's play helped persons forget for a moment how deep these divides ran.  Nevertheless, "the melting pot" made its way into the American lexicon, even if New York could best be describing as a boiling cauldron in the early twentieth century. Triangle: The Fire That Changed America takes a broad view of events that led up the notorious fire, noting the gro

Team of Rivals Reading Group

''Team of Rivals" is also an America ''coming-of-age" saga. Lincoln, Seward, Chase et al. are sketched as being part of a ''restless generation," born when Founding Fathers occupied the White House and the Louisiana Purchase netted nearly 530 million new acres to be explored. The Western Expansion motto of this burgeoning generation, in fact, was cleverly captured in two lines of Stephen Vincent Benet's verse: ''The stream uncrossed, the promise still untried / The metal sleeping in the mountainside." None of the protagonists in ''Team of Rivals" hailed from the Deep South or Great Plains. _______________________________ From a review by Douglas Brinkley, 2005