Skip to main content

Fight for Your Right



When I was living in Ballard, I remember seeing this warehouse church and wondering what these guys were about.  There were always young persons hanging out Friday and Saturday night like it was some music club.  As it turns out, it was the hip new church in Seattle, led by a charismatic young minister, Mark Driscoll, who would use any hook or crook to attract new parishioners into his Mars Hill Church.  Within in a few short years, he went from this garage church to a megachurch.  Doesn't seem like too many persons asked questions at the time, but now Driscoll finds himself under a harsh spotlight.

He is part of the new wave of religious teachings where you have to be a man's man to enter heaven, as there is no longer any room for "pussies."  One of Driscoll's catch phrases was that America had become a "pussified nation."  He assumed the moniker of William Wallace and took to the blogs chastising a liberal country that had become much too sensitive and needed to have the balls of Braveheart to make itself feel whole again.  I think he gets this image more from Mel Gibson's movie than from history.  He litters his posts with colorful epithets, like Rush Limbaugh, and for several years got away with this masquerade, but in a recent book admitted to his many shortcomings.

Warren Throckmorton has been following Driscoll for some time in his blog, describing the power struggle taking place at Mars Hill as the pastor secured the church for himself.  What began as a council of elders all too quickly devolved into an autocracy of one, with Driscoll bullying the elders who didn't like his methods.  Plus, the church had become a lucrative business and like a brash CEO, he wanted to control those assets.  He used church funds to push his books to the top of best seller lists   He was also charged with plagiarism in A Call to Resurgence.  Throckmorton offers a snapshot of the man in this article for the Daily Beast.


Driscoll appears to have an exceedingly high testosterone level, preaching a great deal on the joys of sex, even providing a manual of sorts in Real Marriage.  It is the sense of power that seems to get him off, like one of those porn kings from the 1970s, although to hear him tell it he has been faithful to his wife.  Naturally, he doesn't have any time for homosexuals.  He doesn't like any overt show of male bonding, referring to such demonstrations as "homoerotic huddles."  It's a Man's World, as far as this big buck is concerned.

Jesus wasn't one to take it on the chin and turn the other cheek.  Driscoll is one of those ministers who believes that Jesus would have fought back, often using the language and imagery of the resistance movements of the 60s and 70s and even the Hip-Hop language of the 80s and 90s.  You gotta fight for your right to party with God!

There's certainly nothing new about Driscoll.  The only concern is that this attitude seems to have become pervasive in the conservative evangelical church and is now seen as a form of resistance to what these church-goers believe to be the "emasculated" world we live in, ruined by years of equal rights.  Seattle is the perfect place for a guy like this, as it is one of the most liberal cities in the country, providing no end of material for his sermons on the mount.  I'm sure he will bounce back from this little setback, as he strongly feels he has God on his side.

Comments

Popular posts from this blog

Dylan in America

Whoever it was in 1969 who named the very first Bob Dylan bootleg album “Great White Wonder” may have had a mischievous streak. There are any number of ways you can interpret the title — most boringly, the cover was blank, like the Beatles’ “White Album” — but I like to see a sly allusion to “Moby-Dick.” In the seven years since the release of his first commercial record, Dylan had become the white whale of 20th-century popular song, a wild, unconquerable and often baffling force of musical nature who drove fans and critics Ahab-mad in their efforts to spear him, lash him to the hull and render him merely comprehensible. --- Bruce Handy, NYTimes ____________________________________________ I figured we can start fresh with Bob Dylan.  Couldn't resist this photo of him striking a Woody Guthrie pose.  Looks like only yesterday.  Here is a link to the comments building up to this reading group.

The Triangle Shirtwaist Factory Fire

  Welcome to this month's reading group selection.  David Von Drehle mentions The Melting Pot , a play by Israel Zangwill, that premiered on Broadway in 1908.  At that time theater was accessible to a broad section of the public, not the exclusive domain it has become over the decades.  Zangwill carried a hopeful message that America was a place where old hatreds and prejudices were pointless, and that in this new country immigrants would find a more open society.  I suppose the reference was more an ironic one for Von Drehle, as he notes the racial and ethnic hatreds were on display everywhere, and at best Zangwill's play helped persons forget for a moment how deep these divides ran.  Nevertheless, "the melting pot" made its way into the American lexicon, even if New York could best be describing as a boiling cauldron in the early twentieth century. Triangle: The Fire That Changed America takes a broad view of events that led up the notorious fire, noting the gro

Team of Rivals Reading Group

''Team of Rivals" is also an America ''coming-of-age" saga. Lincoln, Seward, Chase et al. are sketched as being part of a ''restless generation," born when Founding Fathers occupied the White House and the Louisiana Purchase netted nearly 530 million new acres to be explored. The Western Expansion motto of this burgeoning generation, in fact, was cleverly captured in two lines of Stephen Vincent Benet's verse: ''The stream uncrossed, the promise still untried / The metal sleeping in the mountainside." None of the protagonists in ''Team of Rivals" hailed from the Deep South or Great Plains. _______________________________ From a review by Douglas Brinkley, 2005