Skip to main content

Kansas



When most persons think of Kansas they probably think of Dorothy, given how many times the line "We're not in Kansas anymore" has been used.  It's even found in the Urban Dictionary.  It represents that eerie feeling when you know you're in the wrong place and can't do anything about it.  I think that's the way many Kansans feel today after being "teabagged" in 2010 and forced to live under Sam Brownback, who acts like the Great and Powerful Oz.

It wasn't that long ago, 2008, when a much more level-headed governor presided over the state, Kathleen Sebelius, who was able to reach out to persons across the state regardless of their political differences.  For six years she provided a steady hand, winning two terms by resounding margins.  She is a Democrat, if you can imagine that!

But, somehow the state got all lit up during the Tea Party revival and seems on a collision course with destiny, much like Dorothy was when her house was yanked up by the foundations and tossed into the World of Oz by a tornado, forced into battle with a nasty old witch and her gang of flying monkeys.  It's amazing how quickly the political landscape can change!

This was also the case back in the 1850s when Stephen Douglas got the bright idea to split Kansas and Nebraska, introducing a bill in 1854 to open up new lands for settlement and leave it up to white land-grabbers to determine the fate of the two territories as far as slavery goes.  A blood bath ensued known as Bleeding Kansas, where pro-slavery elements from Missouri tried to settle Kansas.  John Brown led a band of anti-slavery "Free-Staters" (later known as Jayhawks)  to try to claim the state for the abolition movement.  Things got so violent that even Congress was up in arms, as Preston Brooks attacked Charles Sumner on the floor of the Senate.  Sumner never fully recovered from the caning he took, as other senators watched aghast.  Brooks became a hero of the pro-slavery element.

Out of that rough and tumble history, Kansas became a state in  January, 1861, shortly before the United States erupted into Civil War.  South Carolina had already seceded from the Union and other Southern states soon followed.  Kansas remained in the Union but found itself on the battlefront, as pro-Confederate Missourians tried to reclaim the state during the war.  Quantrill's Raid, or the Lawrence Massacre, is probably the best known battle from the era.

Kansas would later find itself at the center of the Civil Rights struggle, when Oliver Brown sued to have his child admitted into a Topeka all white school.  This seemed a bitter irony for a state that had survived the Civil War as a "Free State." Segregation had crept across the border like it did in many parts of the Midwest, and the case was taken all the way up to the Supreme Court, where a unanimous ruling opened up all schools for access to all minorities.  100 years later, almost to the day, Kansas once again found itself at the epicenter of a civil war, as the push for Civil Rights spread throughout the South, as a result of Brown vs. Board of Education.

All it takes is a little dust-up to get things riled up in Kansas.  Frank Baum actually lived in South Dakota, which was still a territory at the time, but seemed to understand the Kansas situation well.  He had tried his hand at the newspaper business, but in 1900 got the idea for the The Wonderful Wizard of Oz, which he imagined being made into a Broadway play.  The book became a bestseller, spawning sequels, with numerous political references.  By the time the book was made into a movie, first in 1925, much of that political satire had been squeezed out of it and we were left with the classic children's tale we all know so well from 1939.


Yes, Dorothy, we aren't in Kansas anymore.  Who would think that such a seemingly mild-mannered state could be so easily torn asunder time and time again.

Comments

Popular posts from this blog

Dylan in America

Whoever it was in 1969 who named the very first Bob Dylan bootleg album “Great White Wonder” may have had a mischievous streak. There are any number of ways you can interpret the title — most boringly, the cover was blank, like the Beatles’ “White Album” — but I like to see a sly allusion to “Moby-Dick.” In the seven years since the release of his first commercial record, Dylan had become the white whale of 20th-century popular song, a wild, unconquerable and often baffling force of musical nature who drove fans and critics Ahab-mad in their efforts to spear him, lash him to the hull and render him merely comprehensible. --- Bruce Handy, NYTimes ____________________________________________ I figured we can start fresh with Bob Dylan.  Couldn't resist this photo of him striking a Woody Guthrie pose.  Looks like only yesterday.  Here is a link to the comments building up to this reading group.

The Triangle Shirtwaist Factory Fire

  Welcome to this month's reading group selection.  David Von Drehle mentions The Melting Pot , a play by Israel Zangwill, that premiered on Broadway in 1908.  At that time theater was accessible to a broad section of the public, not the exclusive domain it has become over the decades.  Zangwill carried a hopeful message that America was a place where old hatreds and prejudices were pointless, and that in this new country immigrants would find a more open society.  I suppose the reference was more an ironic one for Von Drehle, as he notes the racial and ethnic hatreds were on display everywhere, and at best Zangwill's play helped persons forget for a moment how deep these divides ran.  Nevertheless, "the melting pot" made its way into the American lexicon, even if New York could best be describing as a boiling cauldron in the early twentieth century. Triangle: The Fire That Changed America takes a broad view of events that led up the notorious fire, noting the gro

Team of Rivals Reading Group

''Team of Rivals" is also an America ''coming-of-age" saga. Lincoln, Seward, Chase et al. are sketched as being part of a ''restless generation," born when Founding Fathers occupied the White House and the Louisiana Purchase netted nearly 530 million new acres to be explored. The Western Expansion motto of this burgeoning generation, in fact, was cleverly captured in two lines of Stephen Vincent Benet's verse: ''The stream uncrossed, the promise still untried / The metal sleeping in the mountainside." None of the protagonists in ''Team of Rivals" hailed from the Deep South or Great Plains. _______________________________ From a review by Douglas Brinkley, 2005