Skip to main content

Clint Eastwood's America, Part III

Melodrama in B flat



Every once in awhile the old cowboy could lay his hat down and play a more sensitive role or indulge in a personal project like Bird, the story of Charlie Parker.  Eastwood has a genuine passion for jazz music.  His son Kyle is an accomplished jazz bassist, leading his own band.  Kyle has even helped score some of his father's movies, including Mystic River and Million Dollar Baby, and was featured in the "Stork Club Band" in J. Edgar.

Clint plays piano himself, and did the segment "Piano Blues" for Martin Scorsese's PBS documentary on The Blues.  He had previously produced a documentary on Thelonious Monk, built around the great pianist's signature song, Straight No Chaser.  Unfortunately, Clint wasn't as successful with Bird, choosing to indulge in Charlie Parker's slow decay as a result of his heroin addiction, morosely played by Forest Whitaker.

The venerable actor came into adulthood after World War II, growing up in the San Francisco Bay area and spending a brief time in Seattle before being drafted into the US Army.  He was stationed stateside during the Korean War.  He did find himself in troubled water when the bomber he was riding in went down off the coast of Port Reyes, and he and the pilot had to swim 3 miles to shore, according to biographers.


Play Misty for Me was set in Carmel-by-the Sea, which he had made his home. It was Clint's first directorial effort, the same year he unveiled Dirty Harry.  While the film has a way of lulling you to sleep in what appears to be a romance between a dapper disc jockey and a young woman (Jessica Walter) he meets in a bar, it took on a more sinister tone when Evelyn reveals a personality disorder that soon became quite menacing.  "Misty" serves as the haunting refrain.

I suppose Clint needed a heightened dramatic angle for his stories.  He wasn't content to let them simply play out in three-quarter's time.  He did try in The Bridges of Madison County, but it was an abysmal failure.  He had very little to work with here as the book was so threadbare.  Rather than add to the story, Clint chose to reduce it even further, resulting in a great void that not even Meryl Streep could fill.  Maybe if she had gone schizo in the end it might have helped.

Clint finally seemed to hit his mark in Mystic River.  The movie was a very dark drama built around a murder that pits three childhood friends, who have taken very different paths, against each other.  It has the investigative quality of his early cop films, allowing him to navigate familiar terrain, but the focus is principally on the relationship between the three friends and how it ultimately comes undone.


He is at his best when exploring dark characters, which helps explain why he chose to explore the dark side of Charlie Parker, rather than the charismatic side which most people know.  He won his second Oscar for Million Dollar Baby, which gave us a pair of washed-up boxing coaches looking for one last shot at redemption in a young woman fighter.  Critical approval wasn't unanimous, and you got the feeling Clint got the Oscar more because he had been overlooked for Mystic River the year before, but he found himself up against Lord of the Rings.

Is this darkness a director's conceit or does it represent the dark world he imagines the United States has become?  This looks to be what he depicted in A Perfect World, with his cinematic heir apparent Kevin Costner in the lead role.  All the talismans are there from Clint's past, with a young boy to soak it all in like a great life lesson.  Clint suitably provides the role of law and order in Sheriff Red Garnett

Comments

Popular posts from this blog

Dylan in America

Whoever it was in 1969 who named the very first Bob Dylan bootleg album “Great White Wonder” may have had a mischievous streak. There are any number of ways you can interpret the title — most boringly, the cover was blank, like the Beatles’ “White Album” — but I like to see a sly allusion to “Moby-Dick.” In the seven years since the release of his first commercial record, Dylan had become the white whale of 20th-century popular song, a wild, unconquerable and often baffling force of musical nature who drove fans and critics Ahab-mad in their efforts to spear him, lash him to the hull and render him merely comprehensible. --- Bruce Handy, NYTimes ____________________________________________ I figured we can start fresh with Bob Dylan.  Couldn't resist this photo of him striking a Woody Guthrie pose.  Looks like only yesterday.  Here is a link to the comments building up to this reading group.

The Triangle Shirtwaist Factory Fire

  Welcome to this month's reading group selection.  David Von Drehle mentions The Melting Pot , a play by Israel Zangwill, that premiered on Broadway in 1908.  At that time theater was accessible to a broad section of the public, not the exclusive domain it has become over the decades.  Zangwill carried a hopeful message that America was a place where old hatreds and prejudices were pointless, and that in this new country immigrants would find a more open society.  I suppose the reference was more an ironic one for Von Drehle, as he notes the racial and ethnic hatreds were on display everywhere, and at best Zangwill's play helped persons forget for a moment how deep these divides ran.  Nevertheless, "the melting pot" made its way into the American lexicon, even if New York could best be describing as a boiling cauldron in the early twentieth century. Triangle: The Fire That Changed America takes a broad view of events that led up the notorious fire, noting the gro

Team of Rivals Reading Group

''Team of Rivals" is also an America ''coming-of-age" saga. Lincoln, Seward, Chase et al. are sketched as being part of a ''restless generation," born when Founding Fathers occupied the White House and the Louisiana Purchase netted nearly 530 million new acres to be explored. The Western Expansion motto of this burgeoning generation, in fact, was cleverly captured in two lines of Stephen Vincent Benet's verse: ''The stream uncrossed, the promise still untried / The metal sleeping in the mountainside." None of the protagonists in ''Team of Rivals" hailed from the Deep South or Great Plains. _______________________________ From a review by Douglas Brinkley, 2005