Skip to main content

Tomatoland




I remember reading Summer Lightning some years back about an old man and a boy growing up in Depression-era South Florida, not much unlike Huck Finn and Injun Joe.  In this case, the two had come across a bunch of crates of tomatoes piled up in a barn that seemed to be allowed to go rotten, so the two proceeded to eat as many of the juicy fruits as they could, until someone caught them and the old man, Mr. McCree, found himself faced with charges for trespassing and theft.  Young Terry was only 6 years old.  Of course, the old man was eventually acquitted and the tomato plantation owner revealed to be nothing more than an evil tyrant.

My mother and I had tried to grow tomatoes in Northwest Florida, but they came out rather salty being so close to the beach.  As Barry Estabrook describes in his book, Tomatoland, on the tomato industry in Florida, the soil simply isn't right for tomatoes.  What you have instead is a year-round climate that allows for the mass cultivation of tomatoes, picked green, gassed in the freight trucks to a sickly light rose color and delivered to supermarkets around the country come winter, when most of America's fields are in hibernation.

I had first heard of this gassing process from a high school friend, who had become a truck driver bringing in tomatoes from Mexico.  Florida farmers aren't the only culprits here, but Mr. Estabrook focuses on the Sunshine State, long noted for its questionable environmental and safety regulations.  He provides historical snapshots, including tomatoes being cultivated by the Aztecs who came up with the first salsa, apparently adding body parts to give it more flavor.  The Aztecs were a gruesome lot, but not as gruesome as the conditions many migrant farmers face in the town of Immokalee, which has become "Tomato Central."

South central Florida has had any number of dubious distinctions over the decades. The conditions in Immokalee aren't much better than in Mexico, which has led to workers trying to organize themselves into a coalition for better pay and health care.  Estawood provides of litany of infractions that would make most persons cringe, but the tomato syndicates are able to get away with it because of the low cost to consumers.

The odd thing is that tomatoes are one of the prized garden fruits (or vegetables depending on how you look at them).  Yet, we are willing to give up taste for price at the local supermarket for these "hard, tasteless, uniform green balls" that can survive an impact of 60 mph  off a truck.  According to Estawood, any attempt to grow a better tomato is met with condemnation from the Florida Tomato Committee.

Old Mr. McCree wouldn't have stood a chance against this all-powerful committee.  One can only hope that Estawood's book calls attention to plight of Immokalee workers and others migrant workers being abused around the country.

Image from Little Feat's album, Waiting for Columbus.


Comments

Popular posts from this blog

The Triangle Shirtwaist Factory Fire

  Welcome to this month's reading group selection.  David Von Drehle mentions The Melting Pot , a play by Israel Zangwill, that premiered on Broadway in 1908.  At that time theater was accessible to a broad section of the public, not the exclusive domain it has become over the decades.  Zangwill carried a hopeful message that America was a place where old hatreds and prejudices were pointless, and that in this new country immigrants would find a more open society.  I suppose the reference was more an ironic one for Von Drehle, as he notes the racial and ethnic hatreds were on display everywhere, and at best Zangwill's play helped persons forget for a moment how deep these divides ran.  Nevertheless, "the melting pot" made its way into the American lexicon, even if New York could best be describing as a boiling cauldron in the early twentieth century. Triangle: The Fire That Changed America takes a broad view of events that led up the notorious fire, noting the gro

Dylan in America

Whoever it was in 1969 who named the very first Bob Dylan bootleg album “Great White Wonder” may have had a mischievous streak. There are any number of ways you can interpret the title — most boringly, the cover was blank, like the Beatles’ “White Album” — but I like to see a sly allusion to “Moby-Dick.” In the seven years since the release of his first commercial record, Dylan had become the white whale of 20th-century popular song, a wild, unconquerable and often baffling force of musical nature who drove fans and critics Ahab-mad in their efforts to spear him, lash him to the hull and render him merely comprehensible. --- Bruce Handy, NYTimes ____________________________________________ I figured we can start fresh with Bob Dylan.  Couldn't resist this photo of him striking a Woody Guthrie pose.  Looks like only yesterday.  Here is a link to the comments building up to this reading group.

Team of Rivals Reading Group

''Team of Rivals" is also an America ''coming-of-age" saga. Lincoln, Seward, Chase et al. are sketched as being part of a ''restless generation," born when Founding Fathers occupied the White House and the Louisiana Purchase netted nearly 530 million new acres to be explored. The Western Expansion motto of this burgeoning generation, in fact, was cleverly captured in two lines of Stephen Vincent Benet's verse: ''The stream uncrossed, the promise still untried / The metal sleeping in the mountainside." None of the protagonists in ''Team of Rivals" hailed from the Deep South or Great Plains. _______________________________ From a review by Douglas Brinkley, 2005