Skip to main content

The Trouble with Lists




Leave it to Rolling Stone to once again put out a contentious list, more noted for its glaring omissions than who the editorial staff chose to include.  It was probably a foregone conclusion Bob Dylan would be ranked number one, universally hailed for his great lyricism, but he owed a lot to Dave Van Ronk, who didn't make the list.  But Dave is in good company.  The only early folkies to make the list were Joni Mitchell, Robbie Robertson, Neil Young and Leonard Cohen.  Amazingly, not one of Crosby, Stills and Nash was mentioned.  I guess they thought Neil Young wrote all the songs. Where were these editors from -- Canada?

It's not just "one real problem," but a whole host of problems with this list, the most glaring of which is that it was sponsored by Apple.  How else to explain Taylor Swift and Kanye West?  I suppose this was a tip of the hat to today's teeny boppers who have vaulted these two to the top of Apple i-tune charts.

You begin to see that this list was more about demographics than anything else, but how to explain the omission of Robert Plant and Jimmy Page, who co-wrote much of the Led Zeppelin discography.  Or, no mention of David Gilmour and Roger Waters who gave us the bulk of the Pink Floyd discography.  Eric Clapton, who along with Ginger Baker gave us the ground-breaking Cream, gave us a huge body of personal songs but similarly failed to make the list.  These are rock and roll giants.

The San Francisco sound was referenced only with the Grateful Dead.  No mention of Paul Kantner and Marty Balin who created Jefferson Airplane.  They were a bit of a thing at one time.  The Allman Brothers, which originally hailed from Jacksonville, but made their impact in San Francisco, similarly got no mention.  Current jam bands like the wildly popular Phish and Widespread Panic were also overlooked.  I guess the RS staff felt this sound was more about the music than it was the lyrics, so took a pass.

This would also explain why there isn't a single jazz or classical composer.  No Duke Ellington, Miles Davis or John Coltane.  You can forget Aaron Copeland or modern day composers like Steve Reich.  Instead you get Burt Bacharach and Hal David for their wistful tunes of the 70s which Andy Williams and Dionne Warwick sang, along with an obscure reference to Ellie Greenwhich and Jeff Barry, which even the staff writer seemed to indicate was a bit of a stretch.  You would think at least Rodgers and Hammerstein would get an honorable mention.

Among the odder notes, Stevie Nicks gets a nod, but what about the collaborative effort of Fleetwood Mac?  That's right, no Mick Fleetwood, much less Peter Green, and for my taste Christine McVie wrote much better songs than Stevie Nicks.  All the ground-breaking work of bands like John Mayall and the Bluesbreakers also goes unrecognized.

The other factor is that you obviously had to write songs in English to even be considered for this list.  The songwriting team behind Abba crept in at 100, but there isn't a single French artist on the list, nor any other European artist of note, other than Bjork, more noted for her wild outfits than her lyricism.  Not a single Brazilian or anyone from Central and South America, despite the profound influence Latin music has had on American mainstream music.  Only Bob Marley is mentioned from the Caribbean.

Make of it this list what you will, but it is hardly a fair representation of the great songwriters who have given us so much memorable music over the years.




Comments

Popular posts from this blog

Dylan in America

Whoever it was in 1969 who named the very first Bob Dylan bootleg album “Great White Wonder” may have had a mischievous streak. There are any number of ways you can interpret the title — most boringly, the cover was blank, like the Beatles’ “White Album” — but I like to see a sly allusion to “Moby-Dick.” In the seven years since the release of his first commercial record, Dylan had become the white whale of 20th-century popular song, a wild, unconquerable and often baffling force of musical nature who drove fans and critics Ahab-mad in their efforts to spear him, lash him to the hull and render him merely comprehensible. --- Bruce Handy, NYTimes ____________________________________________ I figured we can start fresh with Bob Dylan.  Couldn't resist this photo of him striking a Woody Guthrie pose.  Looks like only yesterday.  Here is a link to the comments building up to this reading group.

The Triangle Shirtwaist Factory Fire

  Welcome to this month's reading group selection.  David Von Drehle mentions The Melting Pot , a play by Israel Zangwill, that premiered on Broadway in 1908.  At that time theater was accessible to a broad section of the public, not the exclusive domain it has become over the decades.  Zangwill carried a hopeful message that America was a place where old hatreds and prejudices were pointless, and that in this new country immigrants would find a more open society.  I suppose the reference was more an ironic one for Von Drehle, as he notes the racial and ethnic hatreds were on display everywhere, and at best Zangwill's play helped persons forget for a moment how deep these divides ran.  Nevertheless, "the melting pot" made its way into the American lexicon, even if New York could best be describing as a boiling cauldron in the early twentieth century. Triangle: The Fire That Changed America takes a broad view of events that led up the notorious fire, noting the gro

Team of Rivals Reading Group

''Team of Rivals" is also an America ''coming-of-age" saga. Lincoln, Seward, Chase et al. are sketched as being part of a ''restless generation," born when Founding Fathers occupied the White House and the Louisiana Purchase netted nearly 530 million new acres to be explored. The Western Expansion motto of this burgeoning generation, in fact, was cleverly captured in two lines of Stephen Vincent Benet's verse: ''The stream uncrossed, the promise still untried / The metal sleeping in the mountainside." None of the protagonists in ''Team of Rivals" hailed from the Deep South or Great Plains. _______________________________ From a review by Douglas Brinkley, 2005