Skip to main content

13 Hours




Michael Bay, the producer and director who has given us Armageddon, Transformers and The Rock, now presents 13 Hours: The Secret Soldiers of Benghazi to once again revive all the conspiracy theories that surround the attack on the US diplomatic mission in Libya.  As you can expect, the conservative blogs have run wild with this movie, and there are no end of personal accounts like this one by Col. Andrew Wood, who says his special teams forces had been removed one month before the attack took place by the Obama administration.  Col. Wood conveniently fails to mention that funding had been cut by Congress for embassy security prior to the attack as well.  Needless to say, Michael Bay doesn't deal with such nuances.  What he specializes in are heavy hitting action movies with little or no nuances, which make it very easy for conservative audiences, or any audience for that matter, to understand.

"Bob" appears to be Michael Bay's stand-in for the Obama administration, as Bay is not interested in all that petty bureaucratic haggling.  He wants to tell the stories of the brave men in charge of Benghazi security and how this ill-fated mission played out.  As such, it is not so much a political statement, like Kathryn Bigelow's The Hurt Locker, as it is a film that exploits Benghazi for Michael Bay's financial gain.  He is purely in the business of making action movies, and knows what most people want to see on the screen, no matter how crass.

This is perfect for the crop of GOP candidates, which has been peddling the same Hollywood cliches on the campaign trail, especially Donald Trump, who deals in politics in the most crass terms.  Not surprising, Trump has chosen to screen this movie himself in Iowa, so that his supporters can get a full dose of Benghazi writ large on the silver screen.

I wouldn't be surprised if the Republican House decides to convene another special committee to investigate Benghazi in light of this movie, bringing in Michael Bay himself to offer expert testimony.  Special screenings are taking place all over the country, as Republicans hope to make Benghazi a burning issue on the campaign trail.

The only problem is that the movie has come out in January, and will be long forgotten, as Michael Bay movies are, by the time summer rolls around.  But, maybe this is another pre-emptive strike, which Republicans hope will sink Hillary's democratic nomination so they won't have to contend with her next Fall?

It is highly doubtful this film will have any impact whatsoever on the 2016 presidential election, as Bay himself seemed to go out of his way to avoid any direct political reference.  He looked at the success of The Hurt Locker and Zero Dark Thirty and probably said, heh, I can make a movie just like that!  The fact that Benghazi has a built-in audience of conspiracy theorists had Hollywood giving him the green light.

Comments

Popular posts from this blog

Dylan in America

Whoever it was in 1969 who named the very first Bob Dylan bootleg album “Great White Wonder” may have had a mischievous streak. There are any number of ways you can interpret the title — most boringly, the cover was blank, like the Beatles’ “White Album” — but I like to see a sly allusion to “Moby-Dick.” In the seven years since the release of his first commercial record, Dylan had become the white whale of 20th-century popular song, a wild, unconquerable and often baffling force of musical nature who drove fans and critics Ahab-mad in their efforts to spear him, lash him to the hull and render him merely comprehensible. --- Bruce Handy, NYTimes ____________________________________________ I figured we can start fresh with Bob Dylan.  Couldn't resist this photo of him striking a Woody Guthrie pose.  Looks like only yesterday.  Here is a link to the comments building up to this reading group.

The Triangle Shirtwaist Factory Fire

  Welcome to this month's reading group selection.  David Von Drehle mentions The Melting Pot , a play by Israel Zangwill, that premiered on Broadway in 1908.  At that time theater was accessible to a broad section of the public, not the exclusive domain it has become over the decades.  Zangwill carried a hopeful message that America was a place where old hatreds and prejudices were pointless, and that in this new country immigrants would find a more open society.  I suppose the reference was more an ironic one for Von Drehle, as he notes the racial and ethnic hatreds were on display everywhere, and at best Zangwill's play helped persons forget for a moment how deep these divides ran.  Nevertheless, "the melting pot" made its way into the American lexicon, even if New York could best be describing as a boiling cauldron in the early twentieth century. Triangle: The Fire That Changed America takes a broad view of events that led up the notorious fire, noting the gro

Team of Rivals Reading Group

''Team of Rivals" is also an America ''coming-of-age" saga. Lincoln, Seward, Chase et al. are sketched as being part of a ''restless generation," born when Founding Fathers occupied the White House and the Louisiana Purchase netted nearly 530 million new acres to be explored. The Western Expansion motto of this burgeoning generation, in fact, was cleverly captured in two lines of Stephen Vincent Benet's verse: ''The stream uncrossed, the promise still untried / The metal sleeping in the mountainside." None of the protagonists in ''Team of Rivals" hailed from the Deep South or Great Plains. _______________________________ From a review by Douglas Brinkley, 2005