Skip to main content

So long, Prince




Prince never quit turning out the albums.  He released the two-phase Hit n Run last year on Tidal.  It may have seemed like a vanity project, as he re-explored his 80s music that had made him so immensely popular, but then so  many recording artists return again and again to the same themes, finding new ways to interpret their music.

His prodigious outpouring over the last three-and-a-half decades will leave a legacy like few other recording artists.  One can imagine there is much more stashed away in the vaults of Paisley Park where he was found dead yesterday.

Prince was truly an original.  He not only had a distinctive sound but a presence that belied his gentle nature.  Many persons are recounting the the ways he touched their lives, as he rarely called attention to it himself.  Like his attempt in the 90s to shed his name, Prince seemed to want to be anonymous.

Reclusion didn't really suit him, however, and he could be found teaming up with an astonishing variety of musicians for special performances like this one at the 2004 Rock Hall of Fame induction ceremony, showing off his stellar guitar playing.

He also liked putting on impromptu performances like one last year for the Minnesota Lynx, his hometown's WNBA team, after winning its third title in five years.  He was an avid basketball fan, which Charlie Murphy and Dave Chappelle humorously noted in this "True Hollywood Story."  Prince loved that sketch so much that he wrote a single for Murphy and Chappelle and put Chappelle as himself on the cover of the EP.

The sports world probably best remembers him for his halftime performance in the otherwise forgettable Super Bowl XLI.  It proved he could still bring down the house, if any proof was necessary.

These and many other videos are making the rounds on social media, as fans remember a great one.  Of course, most of us remember him best for Purple Rain, his signature album and movie that introduced us to Prince all those years ago.  The New Yorker even made a special cover.   He will most definitely be missed.

Comments

Popular posts from this blog

Dylan in America

Whoever it was in 1969 who named the very first Bob Dylan bootleg album “Great White Wonder” may have had a mischievous streak. There are any number of ways you can interpret the title — most boringly, the cover was blank, like the Beatles’ “White Album” — but I like to see a sly allusion to “Moby-Dick.” In the seven years since the release of his first commercial record, Dylan had become the white whale of 20th-century popular song, a wild, unconquerable and often baffling force of musical nature who drove fans and critics Ahab-mad in their efforts to spear him, lash him to the hull and render him merely comprehensible. --- Bruce Handy, NYTimes ____________________________________________ I figured we can start fresh with Bob Dylan.  Couldn't resist this photo of him striking a Woody Guthrie pose.  Looks like only yesterday.  Here is a link to the comments building up to this reading group.

The Triangle Shirtwaist Factory Fire

  Welcome to this month's reading group selection.  David Von Drehle mentions The Melting Pot , a play by Israel Zangwill, that premiered on Broadway in 1908.  At that time theater was accessible to a broad section of the public, not the exclusive domain it has become over the decades.  Zangwill carried a hopeful message that America was a place where old hatreds and prejudices were pointless, and that in this new country immigrants would find a more open society.  I suppose the reference was more an ironic one for Von Drehle, as he notes the racial and ethnic hatreds were on display everywhere, and at best Zangwill's play helped persons forget for a moment how deep these divides ran.  Nevertheless, "the melting pot" made its way into the American lexicon, even if New York could best be describing as a boiling cauldron in the early twentieth century. Triangle: The Fire That Changed America takes a broad view of events that led up the notorious fire, noting the gro

Team of Rivals Reading Group

''Team of Rivals" is also an America ''coming-of-age" saga. Lincoln, Seward, Chase et al. are sketched as being part of a ''restless generation," born when Founding Fathers occupied the White House and the Louisiana Purchase netted nearly 530 million new acres to be explored. The Western Expansion motto of this burgeoning generation, in fact, was cleverly captured in two lines of Stephen Vincent Benet's verse: ''The stream uncrossed, the promise still untried / The metal sleeping in the mountainside." None of the protagonists in ''Team of Rivals" hailed from the Deep South or Great Plains. _______________________________ From a review by Douglas Brinkley, 2005