Skip to main content

Back in the Saddle Again




On a lighter note, Mel Brooks is "Back in the Saddle," taking questions after a screening of Blazing Saddles at the Radio City Music Hall on September 1.  Clearly, this is his favorite movie, as he claims to have seen it at least 2000 times, but gives his 11-year-old grandson kudos for pulling up quotes at the perfect time, such as "somebody has gotta go back and get a shit load of dimes," at the supermarket check-out line.

It's one of those movies you simply don't forget, recalling scenes at odd times and having to stifle a guffaw, as it is too much trouble to try to explain.  You have to see Blazing Saddles to understand why it is so funny.

Brooks doesn't think he would be able to make the movie in today's PC-minded world, but is Trump really that much different from Hedley Lamarr?  The humor still rings true today, which is why people still turn up to watch it, especially if the King of Comedy is going to be there to answer questions afterward.

The story revolves around a black sheriff trying to defend a white town against an army of horse thieves, bull dikes, train robbers, chain robbers ...  so that Gov. William J. Le Petomane (played by Brooks) can run a railroad through the town.  The role fell to Cleavon Little when the studio rejected Richard Pryor because of a recent drug arrest.   Pryor would co-write the screenplay with Brooks.

The film fed off the racist and misogynistic stereotypes of Westerns.  Apparently, Brooks worried that they were saying "nigger" too much, but Pryor assured him it was fine as long as the racists and bad guys said it.

Gene Wilder was the perfect sidekick to Sheriff Bart as the "Waco Kid,"  keeping his dry humor as close to his hip as his gun.  Wilder was also a stand-in as Brooks initially wanted Gig Young, but Gig was too drunk to play the role and couldn't get out any of the lines.   Wilder had long been one of Brooks' favorites and for good reason.  He could always be counted on to deliver the lines.

Madeline Kahn proved to have a great pair of legs, reprising Marlene Dietrich's role from Destry Rides Again.  Many other familiar faces as well, but it was Alex Karras who stole the show by punching out a horse, which wouldn't sit too well today with PETA.

I never get tired of watching this movie.


Comments

Popular posts from this blog

The Triangle Shirtwaist Factory Fire

  Welcome to this month's reading group selection.  David Von Drehle mentions The Melting Pot , a play by Israel Zangwill, that premiered on Broadway in 1908.  At that time theater was accessible to a broad section of the public, not the exclusive domain it has become over the decades.  Zangwill carried a hopeful message that America was a place where old hatreds and prejudices were pointless, and that in this new country immigrants would find a more open society.  I suppose the reference was more an ironic one for Von Drehle, as he notes the racial and ethnic hatreds were on display everywhere, and at best Zangwill's play helped persons forget for a moment how deep these divides ran.  Nevertheless, "the melting pot" made its way into the American lexicon, even if New York could best be describing as a boiling cauldron in the early twentieth century. Triangle: The Fire That Changed America takes a broad view of events that led up the notorious fire, noting the gro

Dylan in America

Whoever it was in 1969 who named the very first Bob Dylan bootleg album “Great White Wonder” may have had a mischievous streak. There are any number of ways you can interpret the title — most boringly, the cover was blank, like the Beatles’ “White Album” — but I like to see a sly allusion to “Moby-Dick.” In the seven years since the release of his first commercial record, Dylan had become the white whale of 20th-century popular song, a wild, unconquerable and often baffling force of musical nature who drove fans and critics Ahab-mad in their efforts to spear him, lash him to the hull and render him merely comprehensible. --- Bruce Handy, NYTimes ____________________________________________ I figured we can start fresh with Bob Dylan.  Couldn't resist this photo of him striking a Woody Guthrie pose.  Looks like only yesterday.  Here is a link to the comments building up to this reading group.

Team of Rivals Reading Group

''Team of Rivals" is also an America ''coming-of-age" saga. Lincoln, Seward, Chase et al. are sketched as being part of a ''restless generation," born when Founding Fathers occupied the White House and the Louisiana Purchase netted nearly 530 million new acres to be explored. The Western Expansion motto of this burgeoning generation, in fact, was cleverly captured in two lines of Stephen Vincent Benet's verse: ''The stream uncrossed, the promise still untried / The metal sleeping in the mountainside." None of the protagonists in ''Team of Rivals" hailed from the Deep South or Great Plains. _______________________________ From a review by Douglas Brinkley, 2005