Skip to main content

The Colossus and the mobocracy




Give me your tired, your poor, your huddled masses yearning to free.

Stephen Miller posed an interesting question, "which came first the Statue of Liberty or Emma Lazarus' poem, the New Colossus?  Miller suggested the latter and so in his mind it doesn't convey the "original intent" of the statue but rather some liberal notion of what it means.  I suppose he has a point in that the statue is a glorified harbor lighthouse, but its beacon was meant to signify much more than safe passage.

French sculptor Frederic Auguste Bartholdi imagined it as symbolic of American independence.  He designed it in the early 1870s and Gustave Eiffel had a built in sent over to America in pieces starting in 1875.  The arm and torch was on display at the Centennial Exposition in 1876, but it would take 10 years before the statue was finally erected on Ellis Island, with no small measure of thanks to Emma Lazarus, whose poem was used to raise money for the construction of the star-shaped pedestal.

The poem was eventually engraved on the pedestal in 1903, which seems to have confused Stephen Miller, as he or more likely his staff dates the poem from this time.  The New Colossus was actually written in 1883 and is an integral part of the statue's history.

Clearly, Stephen Miller shouldn't have gone there.  He would have been better advised to say that the new immigration policy is little different from that of Canada or Australia, using a point system to determine the value of immigrants.  In fact, most countries prioritize economic-based applications, favoring skilled workers and investor applicants.  But, Miller tried to make it sound like this has always been the US immigration policy, which has clearly not been the case.

The US has long welcomed refugees and has had a lottery in place for decades that allows any applicant an equal shot at being selected, regardless of his or her ability to speak English or provide a specific skill.  The H-1B visa, which Miller seems to be referring to, is relatively new.  It was part of a 1990 Immigration Act, although some would argue it was never anything more than a cynical attempt to stuff the workplace with cheap, skilled foreign labor, particularly in the tech industry.

In fact, by favoring skilled immigrants over unskilled immigrants, Americans are far more likely to lose jobs in the years ahead.  Under the H-1B visa program, a company has to prove it couldn't find a qualified candidate in the US, but this process is easily abused.  So much so, in fact, that the US Citizenship and Immigration Services has a page devoted to the subject.

The unskilled immigrants, which this administration has depicted as drug dealers, criminals and rapists, actually provide a boon to the economy by taking jobs virtually all Americans shun.  Very few Americans want to work in the agricultural or garment industries today, much less do the menial work that so many of these immigrants do.  We would much rather pay someone minimum wage to do these ornery tasks for us.  An immigration policy like that which the Republican Congress and Trump set is far more likely to encourage illegal immigration to fill the economic void than it is to discourage it, as these are the types of jobs hardest to fill.

If this is a cynical attempt to try to cap the number of ethnic minorities coming into the country, as Jim Acosta suggests, it probably isn't going to work.  Nor, is it going to protect American jobs.  Nor, can Emma Lazarus' poem be detached from the Statue of Liberty.






Comments

Popular posts from this blog

The Triangle Shirtwaist Factory Fire

  Welcome to this month's reading group selection.  David Von Drehle mentions The Melting Pot , a play by Israel Zangwill, that premiered on Broadway in 1908.  At that time theater was accessible to a broad section of the public, not the exclusive domain it has become over the decades.  Zangwill carried a hopeful message that America was a place where old hatreds and prejudices were pointless, and that in this new country immigrants would find a more open society.  I suppose the reference was more an ironic one for Von Drehle, as he notes the racial and ethnic hatreds were on display everywhere, and at best Zangwill's play helped persons forget for a moment how deep these divides ran.  Nevertheless, "the melting pot" made its way into the American lexicon, even if New York could best be describing as a boiling cauldron in the early twentieth century. Triangle: The Fire That Changed America takes a broad view of events that led up the notorious fire, not...

Team of Rivals Reading Group

''Team of Rivals" is also an America ''coming-of-age" saga. Lincoln, Seward, Chase et al. are sketched as being part of a ''restless generation," born when Founding Fathers occupied the White House and the Louisiana Purchase netted nearly 530 million new acres to be explored. The Western Expansion motto of this burgeoning generation, in fact, was cleverly captured in two lines of Stephen Vincent Benet's verse: ''The stream uncrossed, the promise still untried / The metal sleeping in the mountainside." None of the protagonists in ''Team of Rivals" hailed from the Deep South or Great Plains. _______________________________ From a review by Douglas Brinkley, 2005

The Searchers

You are invited to join us in a discussion of  The Searchers , a new book on John Ford's boldest Western, which cast John Wayne against type as the vengeful Ethan Edwards who spends eight years tracking down a notorious Comanche warrior, who had killed his cousins and abducted a 9 year old girl.  The film has had its fair share of detractors as well as fans over the years, but is consistently ranked in most critics'  Top Ten Greatest Films . Glenn Frankel examines the origins of the story as well as the film itself, breaking his book down into four parts.  The first two parts deal with Cynthia Ann Parker and her son Quanah, perhaps the most famous of the 19th century abduction stories.  The short third part focuses on the author of the novel, Alan Le May, and how he came to write The Searchers. The final part is about Pappy and the Duke and the making of the film. Frankel noted that Le May researched 60+ abduction stories, fusing them together into a nar...