Watched Holiday Inn last night with friends. Great movie for the music and dance numbers alone, but has a lot of interesting sidebars as well, not least of all the little number for Abraham Lincoln with Mamie and her two little kids joining in. Given that it was 1942 I guess one can excuse Sandrich somewhat for the black stereotypes, as Bing crudely paints Marjorie in black face to go undetected by the bamboozling Fred and his agent, as they search the crowd for the mysterious woman Fred danced with during the New Year's celebration. Bing made for an odd looking Black Lincoln. The Fourth of July number was also very interesting, with its film clips of the ongoing war and the sense of patriotism it implied, but Fred's little number with firecrackers stole the show. Funny to see Fred Astaire as such a heel in this movie, but ultimately all's well that end's well, as Bing woos Marjorie back with White Christmas, and Fred is reunited with Virginia. Great way to celebrate the evening!
Whoever it was in 1969 who named the very first Bob Dylan bootleg album “Great White Wonder” may have had a mischievous streak. There are any number of ways you can interpret the title — most boringly, the cover was blank, like the Beatles’ “White Album” — but I like to see a sly allusion to “Moby-Dick.” In the seven years since the release of his first commercial record, Dylan had become the white whale of 20th-century popular song, a wild, unconquerable and often baffling force of musical nature who drove fans and critics Ahab-mad in their efforts to spear him, lash him to the hull and render him merely comprehensible. --- Bruce Handy, NYTimes ____________________________________________ I figured we can start fresh with Bob Dylan. Couldn't resist this photo of him striking a Woody Guthrie pose. Looks like only yesterday. Here is a link to the comments building up to this reading group.
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