Skip to main content

You Can't Always Get What You Want




I saw from a recent clip in Tupelo, Mississippi, that Trump still plays You Can't Always Get What You Want at his rallies. The Rolling Stones have asked him repeatedly to stop using their song, but in typical Trumpian fashion, he refuses to do so.  It has been his theme song ever since he descended from his escalator at Trump Tower in the summer of 2015.

It is hard to square the lyrics with his bloated ego, as the song is really about second choices, not first choices.  Maybe he was never satisfied with his wives?  He lavished praise on Ivana in his book, Art of the Deal, but given his new celebrity status he wanted something more than a second-hand Czech model.  He reportedly chased after numerous celebrities, including Madonna, before settling on Marla Maples, a virtual nobody, in 1989.  Two years later, he ditched Ivana and married Marla.  A few years later, he would trade Marla in for Melania.

During this time, Trump found his voice on The Apprentice, especially the celebrity edition where he turned demeaning contestants into an art form.  This combined with his occasional appearances on the WWE made him a celebrity among the underbelly of America.  His crass style was perfect for a group of people proudly disenfranchised from mainstream society.  When the Tea Party came along in 2010, Trump saw his opportunity.  He had a couple of setbacks, most notably the 2011 White House Correspondents' Dinner, but he bided his time and when the moment came he seized on it.

Hillary was the perfect foil for his unrelenting abusive harangues.  She tried to go high, as Michelle encouraged her, but it was no use.  Trump and his Friends and Fox were able to turn her every stumble, every faux pas, every derogatory word against her.  Trump became the champion of the "deplorables," which his MAGA crowd firmly embraced.  She really didn't have a chance, especially when the mainstream media turned against her too, promoting many of the same kooky conspiracy theories found on Fox.

Throughout the campaign we heard the Stones' refrain over and over and over again.  The song soon grated on your nerves, but this was part of Trump's style.  He wanted to rub all our noses in the ground, as he had done Hillary.  This was the ultimate revenge for all the abuse he believed he had suffered over the years, not just during the campaign.  It's not like we really wanted Hillary, or Jill Stein, or Gary Johnson, but in Trump's mind, "we got what we needed," a bitter taste of just desserts.

Some thought he would rise to the occasion.  CNN kept searching for that "presidential moment" where Trump would assume the full responsibility of the Commander-in-Chief.  Instead, we got a reality show president.  Was there really ever any doubt this would be the way it would turn out? 

The song keeps playing and will continue to play, as Trump believes as president he can do anything he wants, including being his own DJ.  To hell with copyright violations. But, has he finally got what he wanted?

It doesn't seem so.  He is more bitter than ever.  What he failed to garner is respect, which is what he has been coveting all along.  He still can't accept he lost the popular vote to Hillary, or that his election is tainted by Russian interference, or that his weekly approval rating has never crested above 50 per cent.  Here he is the most powerful man in the world and he continues to battle with all his insecurities, which have no doubt dogged him ever since he was a child.

I suppose in this very odd sense, the song fits.  Trump is the victim of his own art of deception, holding himself in a blood-stained glass, unable to accept his own reflection.

Comments

Popular posts from this blog

The Triangle Shirtwaist Factory Fire

  Welcome to this month's reading group selection.  David Von Drehle mentions The Melting Pot , a play by Israel Zangwill, that premiered on Broadway in 1908.  At that time theater was accessible to a broad section of the public, not the exclusive domain it has become over the decades.  Zangwill carried a hopeful message that America was a place where old hatreds and prejudices were pointless, and that in this new country immigrants would find a more open society.  I suppose the reference was more an ironic one for Von Drehle, as he notes the racial and ethnic hatreds were on display everywhere, and at best Zangwill's play helped persons forget for a moment how deep these divides ran.  Nevertheless, "the melting pot" made its way into the American lexicon, even if New York could best be describing as a boiling cauldron in the early twentieth century. Triangle: The Fire That Changed America takes a broad view of events that led up the notorious fire, not...

Team of Rivals Reading Group

''Team of Rivals" is also an America ''coming-of-age" saga. Lincoln, Seward, Chase et al. are sketched as being part of a ''restless generation," born when Founding Fathers occupied the White House and the Louisiana Purchase netted nearly 530 million new acres to be explored. The Western Expansion motto of this burgeoning generation, in fact, was cleverly captured in two lines of Stephen Vincent Benet's verse: ''The stream uncrossed, the promise still untried / The metal sleeping in the mountainside." None of the protagonists in ''Team of Rivals" hailed from the Deep South or Great Plains. _______________________________ From a review by Douglas Brinkley, 2005

The Age of Roosevelt: The Crisis of the Old Order

A quarter of a century, however, is time enough to dispel some of the myths that have accumulated around the crisis of the early Thirties and the emergence of the New Deal. There is, for example, the myth that world conditions rather than domestic errors and extravagances were entirely responsible for the depression. There is the myth that the depression was already over, as a consequence of the ministrations of the Hoover Administration, and that it was the loss of confidence resulting from the election of Roosevelt that gave it new life. There is the myth that the roots of what was good in the New Deal were in the Hoover Administration - that Hoover had actually inaugurated the era of government responsibility for the health of the economy and the society. There is the contrasting myth (for myths do not require inner consistency) that the New Deal was alien in origins and in philosophy; that - as Mr. Hoover put it - its philosophy was "the same philosophy of government which...