Watched Holiday Inn last night with friends. Great movie for the music and dance numbers alone, but has a lot of interesting sidebars as well, not least of all the little number for Abraham Lincoln with Mamie and her two little kids joining in. Given that it was 1942 I guess one can excuse Sandrich somewhat for the black stereotypes, as Bing crudely paints Marjorie in black face to go undetected by the bamboozling Fred and his agent, as they search the crowd for the mysterious woman Fred danced with during the New Year's celebration. Bing made for an odd looking Black Lincoln. The Fourth of July number was also very interesting, with its film clips of the ongoing war and the sense of patriotism it implied, but Fred's little number with firecrackers stole the show. Funny to see Fred Astaire as such a heel in this movie, but ultimately all's well that end's well, as Bing woos Marjorie back with White Christmas, and Fred is reunited with Virginia. Great way to celebrate the evening!
Welcome to this month's reading group selection. David Von Drehle mentions The Melting Pot , a play by Israel Zangwill, that premiered on Broadway in 1908. At that time theater was accessible to a broad section of the public, not the exclusive domain it has become over the decades. Zangwill carried a hopeful message that America was a place where old hatreds and prejudices were pointless, and that in this new country immigrants would find a more open society. I suppose the reference was more an ironic one for Von Drehle, as he notes the racial and ethnic hatreds were on display everywhere, and at best Zangwill's play helped persons forget for a moment how deep these divides ran. Nevertheless, "the melting pot" made its way into the American lexicon, even if New York could best be describing as a boiling cauldron in the early twentieth century. Triangle: The Fire That Changed America takes a broad view of events that led up the notorious fire, not...
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