Skip to main content

Come Fly With Me

William Stadiem starts his book, Jet Set, with the classic song by Frank Sinatra, only as Stadiem tells it Frankie wouldn't have been caught dead on a commercial airline, opting  for his dual-prop Martin 404 instead, although he later traded it in for a Lear Jet.  In fact, most of the "jet set" traveled in their private planes, shepherded away from the tarmac in a flotilla of limousines to avoid the unruly mobs waiting for their arrival.  Just ask the Beatles, who were literally assaulted on their first visit to New York in 1964.  But, even they weren't able to save Pan Am.

Nevertheless, the 50s and 60s were the heyday of commercial air travel, offering comfy seats, meals and an unlimited supply of booze in mini bottles to wherever you were going, whether it be Acapulco Bay or Peru.  For a few dollars more you could fly first class and be treated to unparalleled comfort, especially aboard the inaugural flight of the 747 in 1969 with its super bar and other luxurious amenities on trans-continental flights.  The ultra-sleek Concorde took to the sky the same year, offering flights across the Atlantic at supersonic speed, but it was a joint British-French venture.

TWA terminal 1956
Air terminals further evoked this spirit to fly, like Eero Saarinen's TWA terminal in New York, which after falling into disrepair has been refurbished into a luxury hotel for the new "jet set," recalling the past that Frankie sang of.  The glamour hasn't worn off completely.  Modern airports are as sleek and luxurious as ever, especially when flying first class, as many airports go out of their way to separate the one per cent from the 99 per cent, so that a well-heeled traveler doesn't have to brush shoulders with the middling class.

Unfortunately, for most of us it is a grueling wait in check-in lines, coupled with searches and small bag checks to make sure they don't exceed the size and weight limit.  You are lucky if you get a bag of honey-roasted peanuts anymore, which used to be standard on virtually all domestic flights.  Instead, you have to shell out cash for bottled water, as it seems nothing is "complimentary" these days.  On Ryan Air, you even have to scramble for seats, as only a select few are reserved.


Little wonder many persons feel themselves pining for the past, when flying was an event, and you even got a Pan Am carry-on bag, which I clung onto for years as a "toy bag."  Of course, there were a lot fewer air travelers back then so the airlines could afford such perks.  I was hoping for more out of the short-lived television series, Pan Am, a few years ago, but it met a similar fate to the airline.

Today, if you want to be pampered you have to fly to the Orient, where airlines still lavish a lot of attention on passengers, even those sitting in economy class.  It seems that in the East, there remains a wanderlust for the sky, where in the West we treat airlines like airbuses, literally calling them that in Europe.

Frank and Dean in 1965
American airlines have struggled to keep up, often merging with European airlines to maintain a world-wide net of destinations to keep in competition.  The glory days of flying appear to be over in the United States, unless you are fortunate enough to have your own private jet like Frank Sinatra had.


Comments

Popular posts from this blog

The Triangle Shirtwaist Factory Fire

  Welcome to this month's reading group selection.  David Von Drehle mentions The Melting Pot , a play by Israel Zangwill, that premiered on Broadway in 1908.  At that time theater was accessible to a broad section of the public, not the exclusive domain it has become over the decades.  Zangwill carried a hopeful message that America was a place where old hatreds and prejudices were pointless, and that in this new country immigrants would find a more open society.  I suppose the reference was more an ironic one for Von Drehle, as he notes the racial and ethnic hatreds were on display everywhere, and at best Zangwill's play helped persons forget for a moment how deep these divides ran.  Nevertheless, "the melting pot" made its way into the American lexicon, even if New York could best be describing as a boiling cauldron in the early twentieth century. Triangle: The Fire That Changed America takes a broad view of events that led up the notorious fire, not...

Dylan in America

Whoever it was in 1969 who named the very first Bob Dylan bootleg album “Great White Wonder” may have had a mischievous streak. There are any number of ways you can interpret the title — most boringly, the cover was blank, like the Beatles’ “White Album” — but I like to see a sly allusion to “Moby-Dick.” In the seven years since the release of his first commercial record, Dylan had become the white whale of 20th-century popular song, a wild, unconquerable and often baffling force of musical nature who drove fans and critics Ahab-mad in their efforts to spear him, lash him to the hull and render him merely comprehensible. --- Bruce Handy, NYTimes ____________________________________________ I figured we can start fresh with Bob Dylan.  Couldn't resist this photo of him striking a Woody Guthrie pose.  Looks like only yesterday.  Here is a link to the comments building up to this reading group.

Team of Rivals Reading Group

''Team of Rivals" is also an America ''coming-of-age" saga. Lincoln, Seward, Chase et al. are sketched as being part of a ''restless generation," born when Founding Fathers occupied the White House and the Louisiana Purchase netted nearly 530 million new acres to be explored. The Western Expansion motto of this burgeoning generation, in fact, was cleverly captured in two lines of Stephen Vincent Benet's verse: ''The stream uncrossed, the promise still untried / The metal sleeping in the mountainside." None of the protagonists in ''Team of Rivals" hailed from the Deep South or Great Plains. _______________________________ From a review by Douglas Brinkley, 2005