Throughout the book, Kelley plays down Monk’s “weirdness,” or at least contextualizes it. But Monk did little to discourage the popular view of him as odd. Always a sharp dresser and stickler for just the right look, he also favored a wide array of unconventional headgear: astrakhan, Japanese skullcap, Stetson, tam-o’-shanter. He had a trickster sense of humor, in life and in music, and he loved keeping people off-balance in both realms. Off-balance was the plane on which Monk existed. He also liked to dance during group performances, but this served very real functions: first, as a method of conducting, communicating musical instructions to the band members; and second, to let them know that he dug their playing when they were in a groove and swinging.
For Jazz lovers it appears this book is a must.
Clint Eastwood produced a wonderful documentary on Monk some years back entitled "Straight, No Chaser." Here is the classic number,
ReplyDeletehttp://www.youtube.com/watch?v=yxX0-OaI5j0