Skip to main content

Crime noir comes to Harlem




I found myself digging through the Chester Himes collection at amazon.  He is now included in Penguin Modern Classics,with a half dozen titles re-released a couple years back, including his debut novel, For Love of Imabelle (1957), better known as A Rage in Harlem.  I'm not sure if he was the first African-American crime writer, but his books hold up well over time.

Before the lurid crime novels, Himes wrote an account of his prison life in Yesterday Will Make You Cry.  It was greatly edited and reduced to pulp fiction in its original edition, Cast the First Stone in 1952, but has since been restored and re-published by Old School Books.

It surprises me that the Library of America hasn't released an omnibus edition of his work, especially since it has recognized other crime writers like Raymond Chandler, Dashiell Hammett and David Goodis.  But, Mario Van Peebles took it upon himself to re-release Grimes works in omnibus editions back in the late 90s, after the success of the film, A Rage in Harlem.

Probably Grimes' most famous work remains Cotton Comes to Harlem, largely because of the highly successful screen adaptation with Godfrey Cambridge and Raymond St. Jaques as Gravedigger Jones and Coffin Ed Johnson, who featured prominently in many of his novels.  The movie was more played for laughs than grit, including Redd Foxx and Cleavon Little. The lead characters actually date back to early magazine pieces he wrote for Abbot's Monthly in the 1930s, the time which many of his stories are set.  

Grimes took pulp fiction to an extreme that few other writers have been able to match.  His colorful crime novels prefigure blaxploitation films of the 70s and the exploitation films by Quentin Tarantino in the mid 90s. You figure Mario Van Peebles came to Chester Himes through his father Melvin, who directed a film, Sweet Sweetback's Baadassss Song, which is arguably the best film of the genre.

Comments

Popular posts from this blog

The Triangle Shirtwaist Factory Fire

  Welcome to this month's reading group selection.  David Von Drehle mentions The Melting Pot , a play by Israel Zangwill, that premiered on Broadway in 1908.  At that time theater was accessible to a broad section of the public, not the exclusive domain it has become over the decades.  Zangwill carried a hopeful message that America was a place where old hatreds and prejudices were pointless, and that in this new country immigrants would find a more open society.  I suppose the reference was more an ironic one for Von Drehle, as he notes the racial and ethnic hatreds were on display everywhere, and at best Zangwill's play helped persons forget for a moment how deep these divides ran.  Nevertheless, "the melting pot" made its way into the American lexicon, even if New York could best be describing as a boiling cauldron in the early twentieth century. Triangle: The Fire That Changed America takes a broad view of events that led up the notorious fire, not...

Team of Rivals Reading Group

''Team of Rivals" is also an America ''coming-of-age" saga. Lincoln, Seward, Chase et al. are sketched as being part of a ''restless generation," born when Founding Fathers occupied the White House and the Louisiana Purchase netted nearly 530 million new acres to be explored. The Western Expansion motto of this burgeoning generation, in fact, was cleverly captured in two lines of Stephen Vincent Benet's verse: ''The stream uncrossed, the promise still untried / The metal sleeping in the mountainside." None of the protagonists in ''Team of Rivals" hailed from the Deep South or Great Plains. _______________________________ From a review by Douglas Brinkley, 2005

The Age of Roosevelt: The Crisis of the Old Order

A quarter of a century, however, is time enough to dispel some of the myths that have accumulated around the crisis of the early Thirties and the emergence of the New Deal. There is, for example, the myth that world conditions rather than domestic errors and extravagances were entirely responsible for the depression. There is the myth that the depression was already over, as a consequence of the ministrations of the Hoover Administration, and that it was the loss of confidence resulting from the election of Roosevelt that gave it new life. There is the myth that the roots of what was good in the New Deal were in the Hoover Administration - that Hoover had actually inaugurated the era of government responsibility for the health of the economy and the society. There is the contrasting myth (for myths do not require inner consistency) that the New Deal was alien in origins and in philosophy; that - as Mr. Hoover put it - its philosophy was "the same philosophy of government which...