Skip to main content

The Dude Abides



Found this wonderful little segment from American Masters.  It seems Jeff Bridges has become almost as big a cultural institution as has his character from The Big Lebowski.   The shop, known as The Little Lebowski no doubt benefited greatly from his visit, but I imagine had no trouble attracting fans before.

For better or worse, The Big Lebowski has become the Coen Brothers signature piece of work.  They have done better films, but none more memorable, or as entertaining as this bittersweet take on the American dream.  In one way or another all their films seems to be a study of the American dream, from Great Depression Americana in Oh Brother, Where Art Thou? to growing up Jewish in A Serious Man.  There is something Rothian about their films, for lack of a better description, which draws me back to them time and again.

I think their best film remains Barton Fink, which gives a wonderful period look at a budding Hollywood screenwriter, and the pact he makes with the devil.   In addition to John Turturro's great performance, John Mahoney is wonderful as a drunken caricature of William Faulkner.

Bridges film career dates back to The Last Picture Show, in which he played Duane Jackson, a good ol' East Texas boy with his battered old pickup truck and dating the prettiest girl in town, before going off to the Korean War.  He's enjoyed a lot of great roles over the years, but he is now known principally for his role as the Dude.

There is something about the Dude that is exceedingly hard to resist. I found it amusing that Bridges felt a few qualms about playing the role, and asked his young daughters for their opinion at the time he was first approached by the Coen Brothers, who apparently created the character explicitly for him.  I think he had little idea this film would garner such a grip on so many persons' imaginations.

Comments

Popular posts from this blog

The Triangle Shirtwaist Factory Fire

  Welcome to this month's reading group selection.  David Von Drehle mentions The Melting Pot , a play by Israel Zangwill, that premiered on Broadway in 1908.  At that time theater was accessible to a broad section of the public, not the exclusive domain it has become over the decades.  Zangwill carried a hopeful message that America was a place where old hatreds and prejudices were pointless, and that in this new country immigrants would find a more open society.  I suppose the reference was more an ironic one for Von Drehle, as he notes the racial and ethnic hatreds were on display everywhere, and at best Zangwill's play helped persons forget for a moment how deep these divides ran.  Nevertheless, "the melting pot" made its way into the American lexicon, even if New York could best be describing as a boiling cauldron in the early twentieth century. Triangle: The Fire That Changed America takes a broad view of events that led up the notorious fire, not...

Team of Rivals Reading Group

''Team of Rivals" is also an America ''coming-of-age" saga. Lincoln, Seward, Chase et al. are sketched as being part of a ''restless generation," born when Founding Fathers occupied the White House and the Louisiana Purchase netted nearly 530 million new acres to be explored. The Western Expansion motto of this burgeoning generation, in fact, was cleverly captured in two lines of Stephen Vincent Benet's verse: ''The stream uncrossed, the promise still untried / The metal sleeping in the mountainside." None of the protagonists in ''Team of Rivals" hailed from the Deep South or Great Plains. _______________________________ From a review by Douglas Brinkley, 2005

The Searchers

You are invited to join us in a discussion of  The Searchers , a new book on John Ford's boldest Western, which cast John Wayne against type as the vengeful Ethan Edwards who spends eight years tracking down a notorious Comanche warrior, who had killed his cousins and abducted a 9 year old girl.  The film has had its fair share of detractors as well as fans over the years, but is consistently ranked in most critics'  Top Ten Greatest Films . Glenn Frankel examines the origins of the story as well as the film itself, breaking his book down into four parts.  The first two parts deal with Cynthia Ann Parker and her son Quanah, perhaps the most famous of the 19th century abduction stories.  The short third part focuses on the author of the novel, Alan Le May, and how he came to write The Searchers. The final part is about Pappy and the Duke and the making of the film. Frankel noted that Le May researched 60+ abduction stories, fusing them together into a nar...