The Reluctant Giant Killer

While on vacation I found myself playing chess in what seemed like a king's age. We fell into a conversation about past chess greats. I of course brought up Bobby Fischer. My Danish friend mentioned a grandmaster from his country but couldn't remember his name. As it turns out, he meant Bent Larsen, one of Fischer's toughest opponents, and whom Fischer beat on his way to claiming the world championship in 1972.

Fischer and Larsen were considered the two greatest threats outside the Soviet Union at the time. Both were young prodigies. Both were known for their daring and cunning, throwing more experienced chess players off guard. The two met in Denver, Colorado, in the summer of 1971. Larsen wasn't used to the high altitude and heat, and felt this gave Fischer an unfair home country advantage, which the young American seized upon to set up his fateful match with Boris Spassky the following year in Reykjavik. If Larsen had more favorable conditions it may have very well been he who broke the Soviet stranglehold on the world of chess at the time.

For three years, Fischer would dominate the chess world and become a major celebrity in the United States. Not bad for a young man who had already contemplated retirement twice from the game, but Fischer seemed unbeatable when he began his run for a world championship in 1970, taking out former world champion Tigran Petrosian in another hotly contested match in Buenos Aires, covered by Sports Illustrated.

Put in the context of the Cold War, this was a monumental victory for the United States, but Fischer was uncomfortable with his celebrity. He enjoyed the game itself, not all the political baggage that came with it. He was already under scrutiny for playing Fidel Castro in a game of chess during an unsanctioned visit to Havana in 1966. He held his Soviet opponents in high esteem, particularly Petrosian who he had played a number of times before in world competitions. If Fischer was a giant killer, he was a reluctant one.

After that memorable match with Spassky, it seemed Fischer had nothing left to prove, relinquishing the world title in 1975 and disappearing from the world of chess. In 1992, he once again defied the US government by playing a rematch with Boris Spassky in Yugoslavia, which he won. Fischer still considered himself world champion, but a young Garry Kasparov was now regarded as the world's top player.

After the match, Fischer would settle in Hungary, as he was considered a fugitive by the United States. Twelve years later, federal authorities tracked him down and detained him in Japan, where he briefly resided. Eventually, he was granted asylum in Iceland in 2005. A sad end for one of the world's greatest chess players.

His 60 Memorable Games live on, considered one of the greatest books on chess, written before his assault on the world championship. In 2011, Frank Brady published a book on Fischer. Here is a review by Garry Kasparov who long wished for the opportunity to play him.

Dylan in America

Whoever it was in 1969 who named the very first Bob Dylan bootleg album “Great White Wonder” may have had a mischievous streak. There are any number of ways you can interpret the title — most boringly, the cover was blank, like the Beatles’ “White Album” — but I like to see a sly allusion to “Moby-Dick.” In the seven years since the release of his first commercial record, Dylan had become the white whale of 20th-century popular song, a wild, unconquerable and often baffling force of musical nature who drove fans and critics Ahab-mad in their efforts to spear him, lash him to the hull and render him merely comprehensible. --- Bruce Handy, NYTimes ____________________________________________ I figured we can start fresh with Bob Dylan. Couldn't resist this photo of him striking a Woody Guthrie pose. Looks like only yesterday. Here is a link to the comments building up to this reading group.

The Triangle Shirtwaist Factory Fire

Welcome to this month's reading group selection. David Von Drehle mentions The Melting Pot , a play by Israel Zangwill, that premiered on Broadway in 1908. At that time theater was accessible to a broad section of the public, not the exclusive domain it has become over the decades. Zangwill carried a hopeful message that America was a place where old hatreds and prejudices were pointless, and that in this new country immigrants would find a more open society. I suppose the reference was more an ironic one for Von Drehle, as he notes the racial and ethnic hatreds were on display everywhere, and at best Zangwill's play helped persons forget for a moment how deep these divides ran. Nevertheless, "the melting pot" made its way into the American lexicon, even if New York could best be describing as a boiling cauldron in the early twentieth century. Triangle: The Fire That Changed America takes a broad view of events that led up the notorious fire, noting the gro

Team of Rivals Reading Group

''Team of Rivals" is also an America ''coming-of-age" saga. Lincoln, Seward, Chase et al. are sketched as being part of a ''restless generation," born when Founding Fathers occupied the White House and the Louisiana Purchase netted nearly 530 million new acres to be explored. The Western Expansion motto of this burgeoning generation, in fact, was cleverly captured in two lines of Stephen Vincent Benet's verse: ''The stream uncrossed, the promise still untried / The metal sleeping in the mountainside." None of the protagonists in ''Team of Rivals" hailed from the Deep South or Great Plains. _______________________________ From a review by Douglas Brinkley, 2005

Dispatches from Vilnius

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