Skip to main content

Bayou detectives



HBO's latest offering, True Detective has been getting a lot of attention, and soaring in the number of viewers each week for what is supposed to be a conclusive 8-part series.  Judging by the reviews, the series offers a a number of tantalizing metaphysical and existential trappings, with quotes from Nietzsche and a subtext lifted from the pages of Robert W. Chambers' The King in Yellow.  But, judging from trailers and clips this is a very stylish buddy cop movie with Woody Harrelson as your quintessential Southern good ol' boy and Matthew McConaughey as an existential cowboy.

The story is set in the bayous of Louisiana with industrial plants looming on the horizon, not much unlike Beasts of the Southern Wild.  Darkness blurs the edges, as if on the eve of destruction, so no surprise that religious motifs abound, but they have become perverted much like the Yellow King himself.

Emily Nussbaum wasn't as glowing in her New Yorker review as others have been.  Despite all its trappings, the story basically comes down to two guys with the female characters little more than eye candy.  In this sense, it seems to take more from pulp magazines of the past, from which it appears to have taken its title.  Nussbaum said it would be much better if the show didn't take itself so damn seriously. There doesn't seem to be even a touch of irony.  But, this hasn't stopped others from gushing over it.  This review from The Daily Beast is pretty typical.

What I find fascinating is the transformation of McConaughey.  This past year saw him take on a number of projects in which he has literally reconfigured himself.  From the previews, it doesn't seem as though he put on much weight since the making of Dallas Buyers Club, looking gaunt and utterly vacant in expression.  He had played a cop (albeit a dirty cop) once before in Lone Star, but his character was fleeting.  Yet, there is the same two-tier time element in this serial, much like John Sayles employed in Lone Star.

I'm always leary of "revolutionary" new shows because they are rarely that revolutionary, but True Detective looks like it would be fun to watch just the same.



Comments

  1. Slate had fun with the old magazine covers,

    http://www.slate.com/blogs/browbeat/2014/03/07/true_detective_finale_theories_vote_for_your_favorite_with_these_pulp_magazine.html

    in parodying the series.

    ReplyDelete

Post a Comment

Popular posts from this blog

The Triangle Shirtwaist Factory Fire

  Welcome to this month's reading group selection.  David Von Drehle mentions The Melting Pot , a play by Israel Zangwill, that premiered on Broadway in 1908.  At that time theater was accessible to a broad section of the public, not the exclusive domain it has become over the decades.  Zangwill carried a hopeful message that America was a place where old hatreds and prejudices were pointless, and that in this new country immigrants would find a more open society.  I suppose the reference was more an ironic one for Von Drehle, as he notes the racial and ethnic hatreds were on display everywhere, and at best Zangwill's play helped persons forget for a moment how deep these divides ran.  Nevertheless, "the melting pot" made its way into the American lexicon, even if New York could best be describing as a boiling cauldron in the early twentieth century. Triangle: The Fire That Changed America takes a broad view of events that led up the notorious fire, not...

Dylan in America

Whoever it was in 1969 who named the very first Bob Dylan bootleg album “Great White Wonder” may have had a mischievous streak. There are any number of ways you can interpret the title — most boringly, the cover was blank, like the Beatles’ “White Album” — but I like to see a sly allusion to “Moby-Dick.” In the seven years since the release of his first commercial record, Dylan had become the white whale of 20th-century popular song, a wild, unconquerable and often baffling force of musical nature who drove fans and critics Ahab-mad in their efforts to spear him, lash him to the hull and render him merely comprehensible. --- Bruce Handy, NYTimes ____________________________________________ I figured we can start fresh with Bob Dylan.  Couldn't resist this photo of him striking a Woody Guthrie pose.  Looks like only yesterday.  Here is a link to the comments building up to this reading group.

Team of Rivals Reading Group

''Team of Rivals" is also an America ''coming-of-age" saga. Lincoln, Seward, Chase et al. are sketched as being part of a ''restless generation," born when Founding Fathers occupied the White House and the Louisiana Purchase netted nearly 530 million new acres to be explored. The Western Expansion motto of this burgeoning generation, in fact, was cleverly captured in two lines of Stephen Vincent Benet's verse: ''The stream uncrossed, the promise still untried / The metal sleeping in the mountainside." None of the protagonists in ''Team of Rivals" hailed from the Deep South or Great Plains. _______________________________ From a review by Douglas Brinkley, 2005