Skip to main content

The ten-dollar founding father without a father




It's a strange day, to say the least, when Hamilton becomes the most talked about event at the Grammy Awards.  Well, that and Taylor Swift's smackdown of Kanye West with another vicious retort in their on-going feud.

It must be every historian's dream to have his biography of a famous figure made into a Broadway production.  This is exactly what happened with Ron Chernow's epic account of Alexander Hamilton.  There is no doubt that AH was a colorful figure.  He was the illegitimate son of a British-French Huguenot woman and a Scottish laird on the Caribbean island of Nevis, who didn't look like he was going anywhere until adopted by a Nevis merchant who saw great potential in the young man.  Young Alexander won an essay contest that so impressed community leaders that they raised the money to send him to North America for an education.

Hamilton always seemed to be a step ahead of his contemporaries, earning the favor of George Washington during the War for Independence, and anchoring his administration when the General became President.  Our financial system is based on Hamilton's ideas, as is our manufacturing system, but the young man also had quite a life outside politics, ending in an unfortunate duel with Aaron Burr, who has been portrayed in history as Hamilton's dark shadow.

As the story goes, Lin-Manuel Miranda was just biding time in the airport reading Chernow's biography when the inspiration struck.  Miranda researched whether any play had been done on Hamilton and sure enough there was a production in 1917, starring George Arliss as AH.  Miranda decided to give Hamilton a hip-hop score, which he first premiered at the White House back in 2009, earning the favor of Obama.  It took another 6 years to finally get his musical to the stage, where it became an instant hit and now has a Grammy to add to its many credits.

Who needs a ten-bill dollar bill, when you have a Grammy audience eating out of your hand.  Hamilton is hip, and who knows may inspire a new generation.  As for Swift and Kanye, it seems the only way to settle their nasty feud is with a duel.




Comments

Popular posts from this blog

The Triangle Shirtwaist Factory Fire

  Welcome to this month's reading group selection.  David Von Drehle mentions The Melting Pot , a play by Israel Zangwill, that premiered on Broadway in 1908.  At that time theater was accessible to a broad section of the public, not the exclusive domain it has become over the decades.  Zangwill carried a hopeful message that America was a place where old hatreds and prejudices were pointless, and that in this new country immigrants would find a more open society.  I suppose the reference was more an ironic one for Von Drehle, as he notes the racial and ethnic hatreds were on display everywhere, and at best Zangwill's play helped persons forget for a moment how deep these divides ran.  Nevertheless, "the melting pot" made its way into the American lexicon, even if New York could best be describing as a boiling cauldron in the early twentieth century. Triangle: The Fire That Changed America takes a broad view of events that led up the notorious fire, not...

Dylan in America

Whoever it was in 1969 who named the very first Bob Dylan bootleg album “Great White Wonder” may have had a mischievous streak. There are any number of ways you can interpret the title — most boringly, the cover was blank, like the Beatles’ “White Album” — but I like to see a sly allusion to “Moby-Dick.” In the seven years since the release of his first commercial record, Dylan had become the white whale of 20th-century popular song, a wild, unconquerable and often baffling force of musical nature who drove fans and critics Ahab-mad in their efforts to spear him, lash him to the hull and render him merely comprehensible. --- Bruce Handy, NYTimes ____________________________________________ I figured we can start fresh with Bob Dylan.  Couldn't resist this photo of him striking a Woody Guthrie pose.  Looks like only yesterday.  Here is a link to the comments building up to this reading group.

The Age of Roosevelt: The Crisis of the Old Order

A quarter of a century, however, is time enough to dispel some of the myths that have accumulated around the crisis of the early Thirties and the emergence of the New Deal. There is, for example, the myth that world conditions rather than domestic errors and extravagances were entirely responsible for the depression. There is the myth that the depression was already over, as a consequence of the ministrations of the Hoover Administration, and that it was the loss of confidence resulting from the election of Roosevelt that gave it new life. There is the myth that the roots of what was good in the New Deal were in the Hoover Administration - that Hoover had actually inaugurated the era of government responsibility for the health of the economy and the society. There is the contrasting myth (for myths do not require inner consistency) that the New Deal was alien in origins and in philosophy; that - as Mr. Hoover put it - its philosophy was "the same philosophy of government which...