Skip to main content

The Queen's Suite




Queen Elizabeth is coming ever closer to Queen Victoria's 63 years on the throne.  She was crowned back in June, 1953, and among many of the tributes to her in the years that followed was this suite composed by Duke Ellington, which first premiered in 1958 and he recorded in 1959 and sent her a copy.  He meant it as a gift to her and never released it in his lifetime.  Some wonder if the Queen herself ever listened to it.  But, the suite was revived in honor of her Diamond Jubilee.  My favorite piece is "The Single Petal of a Rose," the fifth part of the suite.

Duke Ellington had long been known for his masterful arrangements.  Black, Brown and Beige was his signature suite, with Mahalia Jackson lending her voice to this truly magisterial jazz symphony, released in 1958.  It had first premiered in 1943, and he had reshaped it with the help of Billy Strayhorn in the time between.  He had also given perhaps his most memorable performance at Newport in 1956, and followed it up with another rousing performance in 1958.  Here was Ellington at the pinnacle of his career being presented to the Queen at a private reception for the Leeds Festival that year.

It's a shame the suite doesn't get more attention, if for no other reason than the social importance of this historic meeting.  It would be three years later that John F. Kennedy named Ellington to lead a delegation to Ceylon as part of a goodwill tour.  This experience would serve as his inspiration for the beautiful Far East Suite, released in 1967.  Here is Mount Harissa.   Ellington was eventually honored with a Presidential Medal of Freedom in 1969, by Richard Nixon.


Comments

Popular posts from this blog

The Triangle Shirtwaist Factory Fire

  Welcome to this month's reading group selection.  David Von Drehle mentions The Melting Pot , a play by Israel Zangwill, that premiered on Broadway in 1908.  At that time theater was accessible to a broad section of the public, not the exclusive domain it has become over the decades.  Zangwill carried a hopeful message that America was a place where old hatreds and prejudices were pointless, and that in this new country immigrants would find a more open society.  I suppose the reference was more an ironic one for Von Drehle, as he notes the racial and ethnic hatreds were on display everywhere, and at best Zangwill's play helped persons forget for a moment how deep these divides ran.  Nevertheless, "the melting pot" made its way into the American lexicon, even if New York could best be describing as a boiling cauldron in the early twentieth century. Triangle: The Fire That Changed America takes a broad view of events that led up the notorious fire, not...

Dylan in America

Whoever it was in 1969 who named the very first Bob Dylan bootleg album “Great White Wonder” may have had a mischievous streak. There are any number of ways you can interpret the title — most boringly, the cover was blank, like the Beatles’ “White Album” — but I like to see a sly allusion to “Moby-Dick.” In the seven years since the release of his first commercial record, Dylan had become the white whale of 20th-century popular song, a wild, unconquerable and often baffling force of musical nature who drove fans and critics Ahab-mad in their efforts to spear him, lash him to the hull and render him merely comprehensible. --- Bruce Handy, NYTimes ____________________________________________ I figured we can start fresh with Bob Dylan.  Couldn't resist this photo of him striking a Woody Guthrie pose.  Looks like only yesterday.  Here is a link to the comments building up to this reading group.

The Age of Roosevelt: The Crisis of the Old Order

A quarter of a century, however, is time enough to dispel some of the myths that have accumulated around the crisis of the early Thirties and the emergence of the New Deal. There is, for example, the myth that world conditions rather than domestic errors and extravagances were entirely responsible for the depression. There is the myth that the depression was already over, as a consequence of the ministrations of the Hoover Administration, and that it was the loss of confidence resulting from the election of Roosevelt that gave it new life. There is the myth that the roots of what was good in the New Deal were in the Hoover Administration - that Hoover had actually inaugurated the era of government responsibility for the health of the economy and the society. There is the contrasting myth (for myths do not require inner consistency) that the New Deal was alien in origins and in philosophy; that - as Mr. Hoover put it - its philosophy was "the same philosophy of government which...